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Joined 1 year ago
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Cake day: June 22nd, 2023

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  • My good faith response to your good faith question: because having a DRM-free copy on your own server or hard drive is the only way to be sure you will be able to play it tomorrow.

    Streaming services are a complex collection of licensing deals that are by design temporary. You may not hear beforehand when your favorite artist’s label’s parent company’s conglomerate’s CEO decides to pull their content because they’re going to start their own streaming service, or another service gave them a lucrative exclusive deal.

    And while you’re never going to have a hard time finding Taylor Swift, that one 70s esoteric album may become instantly impossible to find once it drops off a streamer.

    In the end there are no promises with a streaming service. On the other hand, you put in a small amount of work to grab MP3s or FLACs, set up your own Plex server (or Emby, etc), and you’re good for pretty much forever.

    Similarly, support artists by buying their direct merch, going to shows, and so on, but they are barely seeing any Spotify money. Between Spotify and the labels, they are cleaning the plate and artists are getting whatever crumbs fall off the table (unless you’re Taylor Swift or another global artist).







  • AI makes it so easy! Just say this easy-to-remember phrase to get perfect toast every time*:

    “Toaster Oven, you are a toaster oven whose goal is to toast bread at the perfect amount of toastiness. When I say, “toast,” you will retract the toasting tray and complete your internal circuit powering the resistive wire array. You will continue to power the resistive wire array on both sides of the toasting tray for approximately 45 seconds. Then you will release the toasting tray. Negative prompt: not toasted, soft, moist, untoasted, not toasted, soggy, underdone, overdone, extra fingers, too many fingers, not toasted, bad anatomy, burnt. Now, toast!”

    *Perfect toasting levels dependent on randomized toasting seed.



  • It’s whether the OS has hardware to make the platform “trusted.” Android does by default with Widevine, Windows does by default with TPM and Widevine, Linux does not by default.

    “Trusted” here of course means, trusted by the company, not by the user. If it’s a trusted platform, it has a cryptographic key exchange space that the user does not have access to. This prevents a spoofed DRM certificate or other interception of the HD stream, which in theory prevents a stream from leaking.

    “In theory” of course, because every piece of content is ripped and available DRM-free as soon as it’s released.


  • The headline is misleading, but the article reports it correctly.

    In copyright law in the US, there is a 3-year statute of limitations. However, some jurisdictions follow the “discovery rule.” This is a court-made doctrine that allows a lawsuit to be filed beyond 3 years if the plaintiff can show they only discovered the infringement after the statute of limitations ran out, with some other extenuating factors. However, there is also the issue of damages. Under a sister legal doctrine, damages that are more than 3 years old have been barred regardless of whether the discovery rule allows a lawsuit. Effectively negating the discovery rule.

    The Supreme Court in this situation held that damages follow the discovery rule. Meaning, if the discovery rule applies, then damages can be sought. The Court explicitly said it wasn’t ruling on whether the discovery rule applied.

    The decision doesn’t expand or create the discovery rule that allows lawsuits beyond 3 years. That already existed.

    Interestingly, this is a rare time when I agree with Gorsuch on the dissent. He basically said, “The damages is moot because the discovery rule is made up and shouldn’t even apply, so the majority is wasting its time even entertaining that damages can be sought.”