• 2 Posts
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Joined 1 year ago
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Cake day: June 2nd, 2023

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  • I could see some kind of arrangement where the age would be something reasonable like 16-18, but then there is a test you can write (basic civics questions eg. who are the candidates, what does the legislative branch do, etc.) and if you pass that test, kind of like a learner’s permit for driving, you can vote even if you’re under that age, down to a hard cutoff of like 13.









  • None of this is a likely threat, but is any of it completely outside the realm of feasibility?

    Yes. It’s well beyond being worth considering. You’re describing a massive conspiracy where hundreds of people from multiple countries’ governments as well as private corporations would all need to work together without any information leakage. All this to entrap some Canadian programmer who tried to torrent season 2 of a TV show aired in 1990. If any of this was worth doing, it would have been done by now, yet we hear of nothing like this ever happening.

    I’ve gone my entire adult life downloading copyrighted material without using a VPN and it’s never caused me any problem. My contract with my ISP confers me a level of trust that I’m perfectly comfortable with. I’m familiar with the Canadian law around this stuff, and how it’s been interpreted by the courts in the past. I am under no threat of financial damages being pursued against me. My ISP has no incentive to log my online activity or report it to foreign authorities. And even if they did, the Canadian courts limit the pursuable damages to four figures; barely enough to pay for the lawyer that would file the suit.


  • That level of paranoia is a waste of energy. I know that what I’m doing works just fine. Why would some Hollywood studio plant CSAM in a torrent? That would implicate them as well. It makes zero sense. They have better things to do than entrap some nobody in a country whose laws don’t favour them seeking any damages. It would cost them far more in legal fees to come after me than to just leave it alone. The notices they send out are entirely automated and exist primarily as a scare tactic.

    If you’re willing to be curious and open minded about things beyond your limited perception and experience, rather than be a know-it-all, I’d be happy to share with you an example email that I recieved recently. I think the language they use is quite interesting.






  • This reminds me of a method of trying to evaluate art in an objective way. Basically you ask yourself 3 questions:

    • What is this trying to do?
    • Does it succeed in what it’s trying to do?
    • Is what it’s trying to do worth doing?

    If the answers to 2 and 3 are “yes”, then it’s probably a good work of art. This helps remove the subjectivity of “do I enjoy it?” when evaluating a work.

    I would say the answers for Desert Bus indicate that it is indeed a good work of art. It succeeds in being a monotonous parody of a video game which makes a political statement about what games would be if they lacked any fictional elements or conflict. And I think the statement P&T were trying to make with this game was definitely worth making. Plus, we know from the amount of people who play it as a streamed challenge game that there is some desire for a game like that to exist.