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Cake day: August 27th, 2023

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  • Hydlide, probably. A deeply mediocre action RPG that came out on NES waaay after everyone else had one-upped it, or ten-upped it.

    And I played it circa 1997.

    No, hang on - I at least progressed in Hydlide. To this day I have no goddamn idea how to get out of the first room in Batman Forever. I had the Game Boy version. I did not buy this game. Some kid just gave it to me, which should have been a warning. As I understand it, all versions of the game are quite similar, which would be admirable if they were not, to a one, total dogshit. I think it’s the Mortal Kombat engine used as a platformer… made by aliens.








  • The funniest part is Hollywood thinking it’ll shave a fraction off their costs, and not obliterate their entire industry. We now have a CGI studio that runs on your video card. (Or at least everyone can see the path toward making that. The ingredients for this machine are a pirated movie collection, their Wikipedia articles, and obscene amounts of computer power. So it’s not like we could stop people from rolling their own.) You feed in some greenscreen footage, and out comes a whimsical enchanted forest or whatever. Currently still gloopy and samey… but right now is the worst it will ever be, again. And the tools that take off will be the ones that let humans guide the idiot robot around those details.

    It’ll still take work to make anything worthwhile, but it won’t take an army of animators eighteen months, let alone a set, a crew, and a cast. The next big gay cartoon will come out of fucking nowhere. And it’ll be cheap enough that it won’t live or die based on merch.





  • Pearl Jam’s cover of “Last Kiss” can fuck off forever. Turned me off the band for a solid decade.

    I despise The Macarena in ways I cannot put into words.

    As general commercial acts… probably Tad? They were a proto-grunge band that did nothing interesting and vanished once Nirvana took off. They tried being ‘heavier than God’s balls’ and utterly whiffed at out-heavy-ing the then-struggling thrash-metal market. Honestly, not even Slayer thought they could top Reign In Blood, and it wasn’t until 1994’s apparently fantastic heroin glut that albums like Jar Of Flies and When The Kite String Pops started really challenging the limits of chugga-chugga music. Destroy Erase Improve reset the scoreboard in '95, but nobody noticed until years later.