Thousands of artists are urging the auction house Christie’s to cancel a sale of art created with artificial intelligence, claiming the technology behind the works is committing “mass theft”.

The Augmented Intelligence auction has been described by Christie’s as the first AI-dedicated sale by a major auctioneer and features 20 lots with prices ranging from $10,000 to $250,000 for works by artists including Refik Anadol and the late AI art pioneer Harold Cohen.

  • Pa_Kalsha@beehaw.org
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    4 days ago

    in modern society we tend to agree that Duchamp changed the art world with his piece “Fountain” - simply a urinal signed “R. Mutt”… he didn’t sculpt it himself…

    He did (possibly). Sorry.

    Duchamp was a sculptor, as well as a painter, and Fountain doesn’t match any of the urinals sold at the time, by his named source or other plumbing suppliers. Every example in a gallery is a replica made based on a photo of the original, which he claimed to have lost, and they’re all different (the placement and pattern of the drianage holes, the indented ring around the ‘foot’ of the piece).

    Same with In Advance of a Broken Arm and a bunch of his other Readymades - attempts to find an identical, commercially available, object have failed.

    There’s an argument, outlined here: https://www.toutfait.com/issues/issue_3/Collections/rrs/shearer.htm, the Duchamp either made or excessively modified every object he claimed he bought and displayed unchanged.

    Therein lies the problem for art students decades later: because his Readmades were/were based on everyday ephemera, few to no examples of other objects in that category remain for us to compare.

    I think he was pointing out how few of us look at the objects around us (especially those, like art critics, whose job it is to observe) - if we were paying attention, would we have noticed that his work wasn’t what he claimed? Or maybe it’s a case of not noticing the art in the world around us until we put it in the special “art room”.

    Either way, Duchamp is a fascinating artist and (IMO) a compete troll, and may not be the best example to use to defend generative AI.

    • Pup Biru@aussie.zone
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      4 days ago

      i think it’s still a good example, and the point stands - it kinda doesn’t really matter if he did sculpt them or not - either way, it’s the fact that he was a troll, the unknowns, the ideas that is what makes the art; not the piece itself